EL KHIPU COMO DIÁLOGO NOSTÁLGICO ENTRE POESÍA Y PLÁSTICA: UNA LECTURA INTERMEDIAL DE LA OBRA DE JORGE E. EIELSON

The article proposes an intermediate reading of some of the poetic and plastic works of the Peruvian author Jorge Eduardo Eielson (JEE), from three investigative aspects that have as center the Andean anthropological instrument of khipu: first, from the exploration of nostalgia, as a knot or tie between the past and the present; then, from the poetics of the body and estrangement, as well as the neo-avant-garde transits that sum up the local (of Peru) and the global (of Europe). It is argued as a hypothesis that khipu, as a systematic object in Eielson’s poetic and plastic work, can function as a socio-aesthetic strategy of analysis, which will make it possible to read the cultural objects produced by JEE with a logic of crossing phenomena, emotions and territories.